The research is devoted to the search for truth and vital truth in the space of modern culture. The article compares the objectivity of truth and its subjective perception in the cultural space. The connection between cultural oblivion and the preservation of cultural artifacts in the light of the objectivity of truth is considered. The conditions of information technology presence in the communicative space of culture are analyzed in order to minimize the risks of loss of subjectivity of truth. The modern trends of digitalization and the possibilities of its application in the communicative space of culture are problematized. The risks arising in the development of culture and in the process of digitalization of the communication space are considered. For this purpose, the author turns to the subjective side of culture and uses the creative heritage of M. Heidegger, J.- P. Sartre, N. Berdyaev as representatives of modern existentialism. The phenomenon of digitalization is considered in the article as an attempt at extreme objectification. In this regard, the process of digitalization is considered as a source of risk for differentiating the creative activity of a social subject, on the one hand, and the objectification taking place in culture, on the other. Having identified the source of risk, the author seeks to establish common features characteristic of intersubjective creativity as an integral component of the intercultural communication space. For this purpose, a brief comparative analysis of the philosophical concepts of M. Heidegger and Russian religious philosophers is carried out. At the end of the article, it is substantiated that digitalization can lead not only to the loss of subjective perception of truth, but also to its preservation.
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